2023 John Freeman Gill, "Audubon Terrace is extending an olive
branch to its Neighborhood," The New York Times, Jan 6
2023 Theresa Escobedo, "Houston-America’s New “Art City”- Is
Ready to Welcome Travelers with a Whole New Art Experience," Texas
Monthly
2022 "Primavera de 2022," Enclave No 11, CUNY, Academic Commons
2019 Marie Rodriguez, "Rules of the Mobius," Rice Design Alliance, Oct. 16, 2019
Molly Glentzer, "UH’s public art program angles for something new with Mobius Houston," Houston Chronicle, October 11, 2019
McKenzie Misiaszek, "Mobius Houston first temporary art piece in new program," The Daily Cougar, October 7, 2019
"Public Sculpture Mobius Houston Coming to UH," Glasstire, September 26, 2019
2017 Bertha Sichel, 14 Artistas, Ediciones Universitarias Athenaica, Sevilla, Spain, pages. 68-72.
Jason Farago, Columbia’s New Harlem Museum Opens, With Art From Its Neighbors, The New York Times, June 1, 2017
Maximilíano Durón, Columbia University Starts ‘Uptown’ Triennial for Artists Living and Working in Upper Manhattan, ArtNews, May 22, 201
Cate McQuaid, "At the deCordova, a look at screens as more than just personal devices," (Art review) The Boston Globe, Nov. 2, 2017
2016 Amalia Caputo, Marta Chilindron at Alejandra Von Hartz, ArtNexus 100/105
Gregg Perkins, Marta Chilindron Temporal Systems, The Miami Rail, http://miamirail.org, summer 2016
2015 Graciela Kartofel, Marta Chilindron, The Institute of Fine Arts, ArtNexus, 96
Familiar Geometry, The United States News, World Sculpture News, Autumn 2016
Arte Latinoamericano: 20 años, 20 artistas, Arte Al Límite, Chile
Monochrome Undone, Abstraction in Action, Sayago and Pardon Collection exhibition publication
2014 Exhibition review: Encounters-Art Basel Hong Kong 2014, Art Collectors’, #62, May 2014, p.11
Artist Review: Marta Chilindron at Art Basel Hong Kong, Art Collectors’, #65, August 2014, p. 30-31
The Importance of Work, Rest and Play, In Pictures, The Arts Newspaper, International edition, 17-18 of May
Marta Chilindron at Institute of Fine Arts, Exhibitions, The Lookout, Art in America, November 2014
Sarah Zabrodski, The Infinite Forms of Marta Chilindron, Hyperallergic, December 2, 2014
2013 Cristiano Ang, Art Fair Riding Emerging Wave, The Wall Street Journal, November 13, 2013
Elizabeth Sobieski, Miami Medici, South Florida’s Noble Art Collectors Share, The Art Economist, Vol. 1 #6
Elizabeth Thomas Review - Courtesy of Grunion Gazette, Volume 36, Number 10, March 7, 2013
2012 Berta Sichel Review - Courtesy of Arte al Dia International Magazine. Issue 139 May-July 2012
Tatiana Flores Review - Courtesy of Art Nexus Magazine, Number 84, Volume 11, 2012
Robert C. Morgan Review - Courtesy of World Sculpture News, Volume 18, Number 1, 2012
2011 Eleanor Heartney, Natural Geometries, Marta Chilindron-Constructions, catalogue, Cecilia de Torres, Ltd., New York
2011 Marta Chilindron – Constructions, catalogue, Cecilia de Torres, Ltd., New York
2010 Goschka Gawlik, Focus Lodz Biennale 2010, 2-10-10, Kunst News, Art magazine, Vienna
2008 Pedro Cuperman, Jorge Luis Borges-The Golem, The Point of Contact Gallery, Syracuse, New York
Jenni M. Loer, Inspired by a Myth, The Post-Standard, New York, Oct. 27, 2008
Katherine Rushworth, When Man Becomes Maker, The Post-Standard, Nov. 9, 2008
Placas em movimiento, Exposiçoes, Veja Rio, June 18, 2008, p.68
Luis Camnitzer, El Último Libro, Museo de la Biblioteca Nacional de Madrid, Spain
Deborah Cullen, Arte ≠ Vida, Actions by Artists of the Americas 1960-2000, El Museo del Barrio, New York
2007 Gerard McCarthy, Marta Chilindron and Karin Waisman, Amalie A. Wallace Gallery, SUNY, Old Westbury, Art in America, June/July 2007, No 6, P. 210
Jonathan Goodman, Karin Waisman and Marta Chilindron, Amalie Wallace Gallery, SUNY, Old Westbury, Sculpture Magazine, June 2007, Vol. 26 Nº 5 p.74
2006 Reception for Artist, The Gulf Times, Doha, Qatar, April 13, 2006
CUQ to Host Renowned Sculptor, The Peninsula, Qatar, 4/12/2006
2005 Fonds D'art Contemporain de la Ville de Genève Collection 2001-2003
2004 Tatiana Flores Review - Courtesy of Art Nexus Magazine, Number 54, Volume 3, 2004
Walter Robinson, Report from Madrid, Artnet.com, New York, Feb. 13, 2004
2003 Adriana Herrera, La Casa de Eugenio Espinosa, El Nuevo Herald, Miami, December 21, 2003
2003 Jose Roca, Psychogeometries, Arco 04.
2002 Marta Chilindron, Untitled, The Breeder, October
2001 Richard Vine, Report from Rio de la Plata; Art in America, October
2001 Robert C. Morgan, Marta Chilindron: Common Mysteries, Dot Galerie exhibition catalogue
2001 Recent Writings on Latin American Art, New York Arts, Vol. 6 nº 10
1999 Robert C. Morgan, Marta Chilindron, Cinema Kinesis; Review, June 15
Las Uruguayas Exponen, Espectáculos, El País, Montevideo, Uruguay, May 5
Max Henry, New York, Cinema Kinesis; Flash Art, summer 1999
Richard Vine Review - Courtesy of Contemporánea 1999
1998 Robert C. Morgan; Four Artists-Constructivists Roots, Review, June 15
1997 Jonathan Goodman, Marta Chilindron at Cecilia de Torres, Art in America, September
Mónica Amor Review - Courtesy of Art Nexus (25 July - September, 1997)
Ana Tiscornia, Perverting Male Discourse, Lola Press, May-October
Karen S. Chambers Review - Courtesy of The Review (15 April, 1997)
Graciela Sacco, Studio Camnitzer de 1975 a 1996, Valdotavo, Italy, Pag 12, El Pais a Diario, Buenos Aires, Argentina, July 1997
1996 Ana Tiscornia Review - Courtesy of Atlantica Revista de las Artes, Las Palmas, 1996
1995 Marta Chilindron, Inclinations, Time Capsule a concise Encyclopedia by Women; Creative Time, p. 284, 285
1994 Gilberto de Abreu; Obra de are tambem e gente, O Globo, Rio de Janeiro, Brazil
Monica Riani, Chamando o publico as falas, Tribuna de Impresa, Rio de Janeiro, Brazil
Manya Millen, Dupla exhibe quadros que falan con o público, O Globo, RJ, April 15
Alfredo Suoto Almeida, Vendo e ovindo, Jornal do Commercio, RJ, April 18
1993 Mónica Amor, Contemporary Art of Argentina, Brazil & Colombia, ArtNexus, June-August
Mouthpiece, Point of Contact, University of Syracuse, April
1992 Berta Sichel, Touched by Light, ArtNexus
1988 Michael Brenson, Works for Urban College Raise Hard Questions, The New York Times, April
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